STRIKES, FOOTWORK & KAMAE

STRIKES
The terms for the strikes are called out by the instructor when we are doing drills, or during corner kihon.
Beside each term below we have included a description of how the strike is executed.

The following is a demonstration of corner kihon that includes footwork and strikes, from the 2014 All Japan Naginata Championships:

Men wo ute – swing naginata overhead & cut men (center of the head)

Furiagete men – another name for men wo ute

Furiagete sune wo ute – swing naginata overhead & cut sune (shin)

Sokumen wo ute – make hasso ni kamae, cut men

Hassou men – another name for sokumen wo ute

Sune wo ute – make hasso ni kamae, cut sune

Hassou sune – another name for sune wo ute

Sayuu – Both sides (left & right OR right & left)

— Sayuu men wo ute – two hassou men in succession

— Sayuu sune wo ute – two hassou sune in succession

Dou wo ute – make waki gamae, cut side of dou dai

Furikaeshite men wo ute – windmill cut men 

Furikaeshite sune wo ute – windmill cut sune

Kote wo ute – cut forearm part of kote

Inkou wo tsuke – thrust kissaki to throat

 

FOOTWORK
The terms below represent both commands for the footwork, and the actual movements themselves

Mae – step forward

Ato – step back

Migi ni hirake – step to the right

Hidari ni hirake – step to the left

Ayumi ashi mae – step forward, crossing feet, four steps at a time

Ayumi ashi ato – step backward, crossing feet, four steps at a time

Tsugi ashi mae – bring feet together, spring forward

Tsugi ashi ato – bring feet together, spring backward

Fumikaete – switch feet

Mochikaete – switch hands

Naore – return to shizentai 

Okuri ashi – slide front foot, back foot catches up

Hiraki ashi – stepping to side without crossing feet

Sugiashi – a small hop, first bringing your back foot forwards to meet your front foot

 

KAMAE
Stance/guard/ready position

Chudan ni kamae – middle guard position, with kissaki pointing at opponent’s solar plexus

Hasso ni kamae – diagonal ready position, with kissaki up and back, ishizuki on body centre

Gedan ni kamae – lower guard, with kissaki down

Jodan ni kamae – upper ready position, with ishizuki forward, blade up, and kissaki back

Waki gamae – side position, with naginata horizontal, ishizuki forward, and kissaki back